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In this groundbreaking work, film scholar Viola Shafik examines popular and commercial movies from Egypt's film industry, including a number of the biggest box-office hits widely distributed in Egypt and the Arab world. Turning a critical eye on a major player in Egyptian cultural life, Shafik examines these films against the backdrop of the country's overall socio-political development, from the emergence of the film industry in the 1930s, through the Nasser and Sadat eras, up to the era of globalization.

In unearthing the largely contradictory meanings conveyed by different films, Popular Egyptian Cinema examines a broad array of themes, from gender relations to feminism, Islamism and popular ideas about sexuality and morality. Focusing on representations of religious and ethnic minorities primarily Copts, Jews, and Nubians Shafik draws out issues such as the formation of the Egyptian nation, cinematic stereotyping, and political and social taboos. Shafik also considers pivotal genres, such as melodrama, realism, and action film, in relation to public debates over highbrow and lowbrow culture and in light of local and international film criticism.

• Sales Rank: #965476 in Books
• Brand: Brand: American University in Cairo Press
• Published on: 2007-06-30
• Original language: English
• Number of items: 1
• Dimensions: 6.30" h x 1.10" w x 9.30" l, 1.69 pounds
• Binding: Hardcover
• 272 pages

Features

• Used Book in Good Condition

About the Author

VIOLA SHAFIK studied cinema in Hamburg and is a freelance film scholar and filmmaker. She has directed several documentaries, including The Lemon Tree (1993), which was awarded the prize for best documentary short at the Images of the Arab World Festival in 1993. She is also the author of Arab Cinema: History and Cultural Identity (AUC Press, 1998; revised edition, 2007).

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4 of 5 people found the following review helpful.
The Cinema That Could Have Been
By Elaine Young
Viola Shafik takes you into the cinema of Cairo, which has been one of the biggest producer of movies but has never, you realize when reading this, reached its full potential. Still for people who know so little about the topic, this is a great look at a culture and an industry.

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A comprehensive second edition of Business Management for the IB Diploma, revised for first teaching in 2014. Designed for class use and independent study, this Coursebook is tailored to the thematic requirements and assessment objectives of the IB syllabus. It includes learning objectives and summaries; integrated Theory of Knowledge material; text in clear sections, following the IB syllabus structure and content specifications; clear, accessible English for students whose first language is not English; exam-style practice questions and a chapter on assessment and exam techniques. Written by two practising Business and Management teachers, Peter Stimpson and Alex Smith, it features the following topics: Business organisation and environment; Human resource management; Finance and accounts; Marketing; Operations management.

• Sales Rank: #344385 in Books
• Published on: 2015-05-27
• Original language: English
• Number of items: 1
• Dimensions: 10.87" h x .94" w x 8.62" l, .0 pounds
• Binding: Paperback
• 597 pages

About the Author
Alex Smith is an NFL quarterback. Born into a family of football players, he grew up near San Diego, California, with his brother and sisters, and he graduated early from both high school and college while leading his football teams to victory. In 2005, he was the first overall draft pick in the NFL. In 2006, Smith started the Alex Smith Foundation, which assists former foster youth in attaining higher education.

Most helpful customer reviews

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0 of 2 people found the following review helpful.
Five Stars
By GABRIEL MAYAGOITIA
Good book

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Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is.

This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre.

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• Sales Rank: #589621 in Books
• Published on: 2012-02-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.80" w x 11.10" l, 4.55 pounds
• Binding: Hardcover
• 640 pages

Review

"Any serious country music fan will treasure this authoritative book."-- The Seattle Times

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"Perhaps the best single-volume reference work on country music."--Billboard Magazine

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"The Encyclopedia of Country Music, 2nd edition, is the most comprehensive treatment of the genre to date."--Journal of the Society for American Music

About the Author

Paul Kingsbury, editor of the first edition of the Encyclopedia of Country Music, is the co-editor (with Alanna Nash) of Will the Circle Be Unbroken: Country Music in America and the author of The Grand Ole Opry History of Country Music.
Michael McCall, a prominent music journalist, is a writer and editor at the Country Music Hall of Fame and Museum.
John W. Rumble is senior historian at the Country Music Hall of Fame and Museum.

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Great resource
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Poetry Slam: The Competitive Art of Performance Poetry documents the first ten years of this cultural phenomenon with details on slam history and rules, hosting your own slam, winning strategies, tips for memorization, crafting group pieces, and other informative essays, as well as 100 of the best slam-winning poems ever.

• Sales Rank: #1073274 in eBooks
• Published on: 2012-11-25
• Released on: 2012-11-25
• Format: Kindle eBook

From Library Journal
"Poems ask only that they be heard, which is the purpose of the slam," Bob Holman says. It has been ten years since Glazner produced the first National Poetry Slam (perhaps best described as a competitive reading), but many poetry enthusiasts remain virtually unaware of the phenomenon. This volume collects an assortment of slam poems and articles about the slams (setting up, judging, becoming participants, and group pieces). Some articles, such as Lisa Martinovic on using props or Daniel S. Solis on slam aesthetics and strategy, are elemental but extremely useful, while Patricia Smith's brilliant piece on persona poetry adds little to the concept of the slam. Adding to the confusion is the growth of the audience for slams and the broadening of their scope to include many poets published by the academy. Are these the same poets whose poems work perfectly well on the page and would not readily be labeled "performance" poetry? Contributors' notes would have been useful. "Good slamming starts with good writing," Solis states, although at times the material here seems closer to stand-up comedy. It's not perfect, but, considering how sparse slam literature is, this book should prove an asset to all poetry collections.DRochelle Ratner, formerly with "Soho Weekly News," New York
Copyright 2001 Reed Business Information, Inc.

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12 of 13 people found the following review helpful.
A good breaking-in for first time readers
By Scott Woods
One of the most accesible books around for anyone even remotely interested in poetry. If you've never been to an open mic or a slam, give this one a whirl...it'll make you want to go (and maybe even slip a poem in your pocket before you lock the door). If you've been to an open mic and wondered what else was out there that was like what you just saw, this book captures a great many of those elements for you.
Not just a book of poems, throughout the work are placed a great many essays written by long-time, well-known National slam poets (Taylor Mali, Danny Solis, etc.) about nearly every aspect of reading and performing one's work...a long-overdue codification of information for performing poets at ANY level.
Some of the poems contained within are national favorites, a few legend, but they ALL contain a lesson about performance poetry: that it starts on the page.
A MUST have for any poet who is (or is considering) performing their poetry before audiences in any capacity. A necessary bit of packing for any poet with national aspirations of slamming, touring or just reading.

6 of 7 people found the following review helpful.
Better than Good
By Gabrielle Bouliane
Gary Glazner has accomplished something unprecedented with this collection -- he has produced the first national-level anthology archiving the Poetry Slam as its own form, in a book by, for, and about the participants. As such, it has many of the aspects of Slam itself. The voices in both the poetry and the accompanying essays are diverse and passionate, representing all ages, races, genders and geography that this Poetry Nation has to offer. For anyone interested in learning more or starting their own Poetry Slam, this is a terrific jumpstart, as well as a great collection of favorites for poets and audience members.

5 of 6 people found the following review helpful.
Solid collection lacking a full historical perspective
By Guy L. Gonzalez
3.5 stars, really. This anthology is a solid collection representing a wide range of voices STILL involved in the National Poetry Slam scene. Unfortunately, many voices are left out precisely because they are no longer involved in the scene which weakens the collection's importance as an historical document. Nevertheless, the poetry selected, along with the mixed bag of essays, makes this an invaluable supplement to ALOUD, still the king of "poetry slam" anthologies.

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* From concept to completion, a thorough, down-to-earth grasp of all the ins and outs of writing the docudrama * Docudrama is a booming industry, with new films appearing almost weekly.


Nearly every day one can find news stories that would be dismissed as impossible if they weren't actually true, and many of them are being made into successful feature and television films. Dramatizing Reality explains how to find and rsearch ideas and
develop them into vaible stories, how to use dialogue to shape characters, and how to progress from a treatment to a saleable script. Also included is a chapter on the responsibilities involved with mixing truth and fiction. Alan Rosenthal has worked
as a writer, producer and director on more than 60 films for PBS, CBS, ABC, NBC, Israel TV and Dtch TV. He is the author of four other books and has contributed numerous articles to such publications as Film Quarterly and Cineaste.

• Sales Rank: #1871463 in Books
• Published on: 1994-12-19
• Original language: English
• Number of items: 1
• Dimensions: .63" h x 6.03" w x 9.19" l,
• Binding: Paperback
• 224 pages

Review


'If you're serious about writing screenplays (of any kind), you can't afford
not to buy it.'
Writers' Monthly, March 1996

Most helpful customer reviews

4 of 4 people found the following review helpful.
The ground zero of docudrama teaching
By David J Goodman
This is a wonderful and highly readable book, which does a superb job of opening up a fascinating but hithertofore totally unexplored area of film and television. A must for anyone interested in the relations between fiction, reality, and drama and wants to know how to enter this fast growing script field and how to write punchy and dynamic scenarios. Absolutely five stars.

See all 1 customer reviews...

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